{"id":1015,"date":"2019-12-07T05:22:57","date_gmt":"2019-12-07T05:22:57","guid":{"rendered":"http:\/\/www.mastervisualartists.org\/?post_type=portfolio&#038;p=1015"},"modified":"2019-12-08T15:56:16","modified_gmt":"2019-12-08T15:56:16","slug":"dale-huffman","status":"publish","type":"portfolio","link":"https:\/\/mastervisualartists.org\/?portfolio=dale-huffman","title":{"rendered":"Dale Huffman"},"content":{"rendered":"\n<p class=\"has-normal-font-size\">&#8220;Making round even pots is a worthy goal, and for the first phase of one\u2019s career as a potter, arguably, a necessary goal. However, forty-plus years into my career as a potter, I no longer unquestioningly accept the tyranny of the round and the even. Increasingly, my work involves issues that are less easily definable. Tache pots that I produced earlier in my career were readily accessible. You could pick one up and understand it almost immediately. Some were very good pots, but they were dealing predominantly with technical and intellectual issues \u2013 issues where I was firmly in control. Now my pots deal predominantly with my emotional response to the medium. Understanding them requires study and prolonged physical contact.&#8221;&nbsp;<\/p>\n\n\n\n<p class=\"has-normal-font-size\">&#8220;When my best pots happen, I often see myself as a medium through which the work is flowing. I feel that I\u2019m but part of a collaboration with clay and fire. On good days, I\u2019m able to play and dance with the clay and the flow can be magical.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Making round even pots is a worthy goal, and for the first phase of one\u2019s career as a potter, arguably, a necessary goal. However, forty-plus years into my career as a potter, I no longer unquestioningly accept the tyranny of &hellip; <a href=\"https:\/\/mastervisualartists.org\/?portfolio=dale-huffman\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":1020,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"kt_blocks_editor_width":""},"portfolio-type":[23],"class_list":["post-1015","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio-type-mva-artist-vii"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Dale Huffman - Master Visual Artists: Preserving the Legacy<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mastervisualartists.org\/?portfolio=dale-huffman\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dale Huffman - Master Visual Artists: Preserving the Legacy\" \/>\n<meta property=\"og:description\" content=\"&#8220;Making round even pots is a worthy goal, and for the first phase of one\u2019s career as a potter, arguably, a necessary goal. 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